Blog
Updated Monday to Friday
510 articles
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Four-Compartment Box -
Direction of the Axis Panel -
Box with Nowhere to Hide -
Symmetrical Box -
Another finish -
Placing Weights on Wood -
Choosing Material Length -
Gluing sheets on a rainy day -
Adjusting the panels of Mame boxes -
Combining different types of wood -
Hand sanding and machine sanding -
The difference in color tones -
Balancing Two Factors -
Solid Yosegi Accent -
Fine Tuning the Aruki Panels -
Why quick assembly matters -
Nostalgic double puzzle box -
Small experiment with two thin panels -
Different sheets and their gluing methods -
Fast and careful work with small parts -
Pros and cons of MDF boards -
Adjusting the grooves and aruki panels -
Advantages of ho wood mame box -
The orientation of the side panels -
Preparation of the top and bottom aruki panels -
Pattern misalignment and wood quality -
Comparing two engineered materials -
Choosing the right wood for small parts -
Sanding the yosegi sheets -
Notes on one-point yosegi -
Shina plywood: Advantages and care -
The slide key and the wooden piece -
Attaching small, thin panels -
The question of patterns on mame boxes -
The proper amount of the angled cut -
The top and bottom surfaces of the mame box -
The extra care of mame box -
Calculating the materials -
The thin boards for the mame box -
Working slowly in the rain -
The Art of correcting mistakes -
Making random wood grain panels -
Adjusting the top and bottom panels -
The balance of random wood grain -
Applying natural wood veneer -
Differences in the origin of katsura wood -
The importance of choosing the right materials -
A mistake while making the drawer -
27-steps shaft panels -
The hidden wooden pin -
Structure and the bottom panel -
The popularity of drawer boxes -
The structural parts of the drawer box -
Making the inner drawer -
Specifications of the long side panels -
Attaching the small wooden pieces -
A sliding key made from walnut wood -
Aruki–Frame panel relationship -
Thickness of the Aruki panel -
Walnut design himitsu-bako