Blog
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552 articles
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Special Parts -
Getting the Sliding Key Just Right -
Durable Puzzle Box? -
Preparing The 4-Compartment Box -
The Value of Different Mechanisms -
Two Differences -
Four Different Panels -
Non-Standard Sliding Mechanism -
Slicing Small Yosegi Blocks -
Working with Wood Veneer Sheets -
Hidden Sliding Key -
Humidity and Yosegi Sheets -
Fitting the Top and Bottom Panels -
The Precision of the Fit -
The Glue Drying Time -
The Structure of The 5-step Box -
Making The Lined Side Panels -
Uses for The 2.5-sun box -
The Difference between the Left and Right panels -
Relationship Between The 18 and 21-step Parts -
21-step and 18-step Frame panels -
2-sun Cube Aruki Thickness -
Side panel Production process -
Preparation for the 21-step mechanism -
5-sun Lid panel Adjustment -
Ichimatsu Yosegi for 2-sun/3-sun boxes -
Unique Aruki panel -
Fine tuning The Divider panel -
Midway Hexagon box Check -
Drawer box Materials and Advantages -
Drawer design Update -
Joining Ichimatsu Yosegi Blocks -
Angle of The Panel Joints -
Order of Attaching the Six panels -
Difficult parts of Making the Aruki -
Hexagonal Frame panel -
Three-color Ichimatsu pattern -
Difficult parts of Making a Hexagonal box -
Yosegi Panel for a Hexagonal Box -
18-step Challenge -
Contrast of Two Woods -
Aruki Panels for the Double Box -
Four-Compartment Box -
Direction of the Axis Panel -
Box with Nowhere to Hide -
Symmetrical Box -
Another finish -
Placing Weights on Wood -
Choosing Material Length -
Gluing sheets on a rainy day -
Adjusting the panels of Mame boxes -
Combining different types of wood -
Hand sanding and machine sanding -
The difference in color tones -
Balancing Two Factors -
Solid Yosegi Accent -
Fine Tuning the Aruki Panels -
Why quick assembly matters -
Nostalgic double puzzle box -
Small experiment with two thin panels