Blog
Updated Monday to Friday
623 articles
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Using a Red-Colored Wood -
The Standard 14-Step Box -
Plans for a New Four-Color Ichimatsu -
From 36 Steps to 40 Steps -
Unique Wood -
Panel Divided in the Center -
Dividing the Sliding Key Again -
Attaching the Panels for Proper Alignment -
Design and Movement -
The Feel of the 36-Step Mechanism -
Keeping Both Sides Even -
Preventing Warping During Finishing -
The Need to Prevent Warping -
Sliding Keys and Their Design -
Beveling the Axis Panels -
Trial and Error with Aruki -
Choosing Wood for the Borders -
Aruki Groove Dimensions -
Two Pieces, One Sheet -
Handling Mame Puzzle Boxes -
Mame 10-Step Aruki Panels -
The Effort Behind the Finishing Process -
Side Panel Yosegi Sheets -
The Glue Surface -
Single Wood Species Design -
Balancing Movement and Support -
Natural Wood Design -
Slow and Careful Work -
The Advantage of Vertical Patterns -
Wood Grain Placement -
Rounding the Edges of the Mame Box -
Short Top Aruki Panel -
Unique Mame Panel Feature -
Attaching the Four Panels -
Adjusting the Aruki Sides -
Traditional Japanese-Style Box -
Yosegi for Mame Puzzle Boxes -
Sheet Grain Direction -
Smooth Mame Himitsubako -
Choosing the Right Backing Board -
Gluing Two Panels Together -
14-Step Mechanism -
14-step Walnut Puzzle Box -
Using Walnut for Different Parts -
The Fixed Panel for the 4-Step Box -
When to Make the Adjustment -
Machining Delicate Parts -
The 4-Step Type After a Long Time -
Handling Thin Wooden Panels -
What Is Needed for Production -
Rising Material Costs and Their Impact -
Wood for Small Mechanisms -
Differences in How It Is Attached -
Skill in Applying Glue -
The Fit of the Top Panel -
Choosing the Right Wood for Aruki -
Trial and Error in Attaching the Parts -
Starting the 3-Sun Boxes -
New 5-Sun Natural Wood Type -
The Future of Natural Wood Types